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Dear friends of the Neuburg Summer Academy,

we are currently planning the 47th Neuburg Summer Academy. You can register for our courses from December 18th 2024 at 5:00 p.m.

Your Neuburg Cultural Office

11 Aug
€300.00
3 free spaces
Mon 8/11/25 - 8/16/25
Obere Altstadt Neuburg
Fine Arts
My approach consists of drawings, pictures, photos, video recordings and own texts which are either unfinished or do not have an effect on the proper place. We breathe new life into them developing them further. Fears of contacts and blockades disappear by extending the medium. Perhaps a new process or form is needed in order to keep on working on the original ones. The new medium probably helps to realize that you were too restricted and that there are other forms which are more fun or which suit you better. What could you do with your own drawings or the many photos lying in a box or waiting on your hard disk? Perhaps there will be a new composition and connection with other materials, memories and images. I will offer a beamer and a camera so that we are able to experiment with projections, sound and light. Furthermore, I will provide a scanner and a printer (black and white).
11 Aug
€460.00
4 free spaces
Mon 8/11/25 - 8/16/25
Volkshochschule Neuburg
Early Music
Since 1994 Han Tol has been professor at the College of the Arts in Bremen and he was appointed to a guest professorship at the Schola Cantorum Basiliensis in Basel and at the Jacob’s School of Music (Indiana University, Bloomington USA). He has taught at various summer academies from Innsbruck (Austria) to Austin (USA) to Bela Horizonte (Brazil). He has also given master courses all around the world. Han Tol’s concert life is remarkably diverse. For 20 years he and his ensembles “La Dada” and “La Fontegara Amsterdam” have been explored, performed (first) and recorded an extensive repertoire. Furthermore, he is a member of the “ Balthasar Neumann Ensemble” dedicating to opera repertoires of the 17th century. From 1999 to 2007 he was a member of the “Flanders Recorder Quartet” with whom he went on numerous concert journeys all around the world.
11 Aug
Mon 8/11/25 - 8/16/25
Volkshochschule Neuburg
Early Music
Born in Munich, Daniela Niedhammer has been working as a harpsichordist, conductor and organist in the Basel (CH) area for several years. With her baroque ensemble Der Musikalischer Garten, she has won first prizes and awards in the field of early music and regularly gives concerts in Switzerland and Germany. She also works as a répétiteur and church musician and is the artistic assistant of the Basel Girls' Choir.
Daniela Niedhammer studied harpsichord/bass continuo and organ at the Schola Cantorum Basiliensis in Basel. Before that, she completed a harpsichord degree and a church music training (A-diploma) at the Munich University of Music and Theater. Her teachers include Christine Schornsheim, Jesper Christensen, Andreas Staier, Lorenzo Ghielmi and Edgar Krapp. She studied choir conducting with Markus Utz and Michael Gläser.
11 Aug
€300.00
Not bookable
Mon 8/11/25 - 8/16/25
Obere Altstadt Neuburg
Fine Arts
The main aim of the course is the experimental and playful handling of print graphics. Cold needle, material, stencil and plant printing, wood and linoleum cutting, as well as monotyping and frottage are possible. Experimenting with different materials and techniques, even combinations, is desirable. The use of various, “unusual” tools, such as cutters, drills, cutting tools or even chainsaws and Dremels is also conceivable. Unusual substrates, i. e. not only paper, but also textiles and plastics can be brought along and used. The tools and materials should be brought with you or certain errands should be agreed with the group.

11 Aug
€460.00
8 free spaces
Mon 8/11/25 - 8/16/25
Volkshochschule Neuburg
Early Music
Friederike Heumann studied viola da gamba with Jordi Savall and Paolo Pandolfo at the Schola Cantorum Basiliensis (Suisse) and completed her studies with a soloist diploma for early music. Nowadays, she tours both as solo artist and with her ensemble “Stylus Phantasticus” all around the world. Her multiple award-winning CD recordings are regularly celebrated by international critics. Friederike Heumann teaches viola da gamba and consort at the Conservatory for Music and Theatre of Munich and at numerous international master courses. Since summer semester 2020 she has been professor for historical chamber music for strings and viola da gamba at the Conservatory for Music of Würzburg. She is a jury member at international competitions for early music. 
11 Aug
€460.00
12 free spaces
Mon 8/11/25 - 8/16/25
Volkshochschule Neuburg
Early Music
After our wonderful "Bach Week" in 2024, we are already looking forward to the Summer Academy in 2025. This time, the focus will be on Renaissance music. There will again be lutes/theorbos, keyboard instruments, wind instruments and strings, for the wealth of arias, duets and ensembles, secular and sacred, that so many composers of this era have left us. We especially welcome singers who are willing to get involved with new pieces and have the courage to try new ways of performing. Of course, works from the Baroque period can also be worked on.
11 Aug
Uli Zwerenz - Painting — from a splash of paint to a picture

Uli Zwerenz - Painting — from a splash of paint to a picture (Week 2)

€300.00
1 free place
Mon 8/11/25 - 8/16/25
Fine Arts
Through open-ended work that starts with the process of applying paint, the possibilities for finding an individual image should be experienced.
The dialogue between imagination and perception should open up space for changing and expanding one's own painting.
The course begins with an introduction to the production of paints from pigments and binding agents. Various systems are shown: acrylic paints, egg tempera and oil paints.
During the course, you can work with ready-made paints or with ones you have prepared yourself. The basics of painting techniques and questions are explained.
The relationships between the image structure, composition and color should be questioned and developed during the painting process. By recognizing and avoiding arbitrariness, you should find your own way to finding and creating an autonomous painting.
11 Aug
€163.00
12 free spaces
Mon 8/11/25 - 8/16/25
Descartes-Gymnasium Neuburg
Courses for children and young people
You have already completed the children’s academy or you are already too old for the children’s academy but you still want to experiment creatively? The youth atelier is the correct place to be since aspiring artists between 11 and 16 years will get the opportunity to discover - step by step - the four big fields of visual arts – painting, graphic, sculpture and photography – and the handicrafts of technical and textile design. 
11 Aug
€460.00
8 free spaces
Mon 8/11/25 - 8/16/25
Volkshochschule Neuburg
Early Music
Catherine Motuz has an active career as a performer, teacher and scholar. She is co-director of the Ensemble Fedeli and has played with ensembles such as the Freiburg and Amsterdam Baroque Orchestras, Concerto Palatino, Les Cornets Noirs, Les Traversées Baroques, and others. Catherine has taught at McGill University, the Université de Montréal, and the Royal Conservatoire of the Hague, and is currently a lecturer in historical trombone at the Schola Cantorum Basiliensis.

Catherine Motuz is from Ottawa, Canada, and studied historical trombone with Charles Toet at the Schola Cantorum Basiliensis from 2004 to 2011. As a researcher, her main interests are historical improvisation pedagogy and ideas about musical expression and aesthetics in the 16th century.
11 Aug
€300.00
4 free spaces
Mon 8/11/25 - 8/16/25
Obere Altstadt
Fine Arts
For my artistic approach, it is essential to transfer aesthetic concepts and experiences from one medium to another. For drawing and for the course, this means, among other things, starting from the question: How does the space get into the surface ¬– and the drawing into the space?
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.