Courses
Dear friends of the Neuburg Summer Academy,
we are currently planning the 47th Neuburg Summer Academy. You can register for our courses from December 18th 2024 at 5:00 p.m.
Your Neuburg Cultural Office
11
Aug
3 free spaces
Mon
8/11/25
-
8/16/25
11
Aug
4 free spaces
Mon
8/11/25
-
8/16/25
11
Aug
Mon
8/11/25
-
8/16/25
Daniela Niedhammer studied harpsichord/bass continuo and organ at the Schola Cantorum Basiliensis in Basel. Before that, she completed a harpsichord degree and a church music training (A-diploma) at the Munich University of Music and Theater. Her teachers include Christine Schornsheim, Jesper Christensen, Andreas Staier, Lorenzo Ghielmi and Edgar Krapp. She studied choir conducting with Markus Utz and Michael Gläser.
11
Aug
Not bookable
Mon
8/11/25
-
8/16/25
11
Aug
8 free spaces
Mon
8/11/25
-
8/16/25
11
Aug
12 free spaces
Mon
8/11/25
-
8/16/25
11
Aug
Uli Zwerenz - Painting — from a splash of paint to a picture
Uli Zwerenz - Painting — from a splash of paint to a picture (Week 2)
1 free place
Mon
8/11/25
-
8/16/25
The dialogue between imagination and perception should open up space for changing and expanding one's own painting.
The course begins with an introduction to the production of paints from pigments and binding agents. Various systems are shown: acrylic paints, egg tempera and oil paints.
During the course, you can work with ready-made paints or with ones you have prepared yourself. The basics of painting techniques and questions are explained.
The relationships between the image structure, composition and color should be questioned and developed during the painting process. By recognizing and avoiding arbitrariness, you should find your own way to finding and creating an autonomous painting.
11
Aug
12 free spaces
Mon
8/11/25
-
8/16/25
11
Aug
8 free spaces
Mon
8/11/25
-
8/16/25
Catherine Motuz is from Ottawa, Canada, and studied historical trombone with Charles Toet at the Schola Cantorum Basiliensis from 2004 to 2011. As a researcher, her main interests are historical improvisation pedagogy and ideas about musical expression and aesthetics in the 16th century.
11
Aug
4 free spaces
Mon
8/11/25
-
8/16/25
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.