Visual Arts
Dear friends of the Neuburg an der Donau Summer Academy,
As this year's representative of Goda Plaum for the artistic direction of fine arts, I am pleased to present to you an exciting range of courses with three new lecturers for 2025: Miriam Wahl will offer the course "Painting in Process" for beginners and advanced students; as a lecturer in painting, she has already gained extensive teaching experience at the University of Marburg, among others. With Katrin Schoess, we will explore Neuburg's urban and rural views in painting and drawing; her course is open to beginners and advanced students; young people aged 14 and over are welcome. Uli Zwerenz has already been a lecturer in painting in Neuburg for several years in the past and his course "from blob to picture" is aimed exclusively at advanced students. After a successful start in 2024, Lisa Brede will also be offering a comic drawing course for young people between the ages of 13 and 18 - we are delighted to be able to appeal to young people in particular with this offer and to rejuvenate us all in this wayJ) We want to continue to see the summer academy as a special place that enables intensive artistic engagement with one's own work in an open atmosphere, which offers freedom to take up existing projects, to conduct experimental research and to mature one's own artistic position in exchange with others. Our range of courses is deliberately so broad that both beginners and advanced students can find their place: Anna-Maria Kursawe offers her course "Painting - about the relationship between representationalism and abstraction" for advanced students. With Meike Dölp we enter into a dialogue with everyday things, developing aesthetic strategies that pose the questions we are stimulated by them in large or small spaces. Her course is aimed at beginners and advanced students. Andreas Kotulla focuses on the perception of space and things in space and their translation into various graphic media and installations. Stefanie Pojar supports the implementation of your ideas in the form of sketches or similar in printing processes. Beginners and advanced students are welcome, bookings for two weeks are preferred for technical reasons. Serena Ferrario also focuses her course "Artistic concepts and deepening your own artistic work" on young artists aged 16 and over. With "Sculpture and Object", Yke Prins offers three-dimensional thinking and working for beginners and advanced students. With this in mind, I greet you with Goda Plaum's words: we look forward to receiving applications from all different age groups and professional areas, because it is precisely in this unique mix that the strength of the Neuburg Summer Academy unfolds in the engagement, communication and enthusiasm with, of and for art.
With kind regards Ulrike v. der Osten
Meike Dölp - Collage - Object and material
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.
All those who want to embark on an intensive painting process and are open to playfulness and the unexpected along the way are welcome.
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
All those who want to embark on an intensive painting process and are open to playfulness and the unexpected along the way are welcome.
The dialogue between imagination and perception should open up space for changing and expanding one's own painting.
The course begins with an introduction to the production of paints from pigments and binding agents. Various systems are shown: acrylic paints, egg tempera and oil paints.
During the course, you can work with ready-made paints or with ones you have prepared yourself. The basics of painting techniques and questions are explained.
The relationships between the image structure, composition and color should be questioned and developed during the painting process. By recognizing and avoiding arbitrariness, you should find your own way to finding and creating an autonomous painting.
Uli Zwerenz - Painting — from a splash of paint to a picture(Week-One)
The dialogue between imagination and perception should open up space for changing and expanding one's own painting.
The course begins with an introduction to the production of paints from pigments and binding agents. Various systems are shown: acrylic paints, egg tempera and oil paints.
During the course, you can work with ready-made paints or with ones you have prepared yourself. The basics of painting techniques and questions are explained.
The relationships between the image structure, composition and color should be questioned and developed during the painting process. By recognizing and avoiding arbitrariness, you should find your own way to finding and creating an autonomous painting.
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.
Meike Dölp - Collage - Object and material
All those who want to embark on an intensive painting process and are open to playfulness and the unexpected along the way are welcome.
Uli Zwerenz - Painting — from a splash of paint to a picture (Week 2)
The dialogue between imagination and perception should open up space for changing and expanding one's own painting.
The course begins with an introduction to the production of paints from pigments and binding agents. Various systems are shown: acrylic paints, egg tempera and oil paints.
During the course, you can work with ready-made paints or with ones you have prepared yourself. The basics of painting techniques and questions are explained.
The relationships between the image structure, composition and color should be questioned and developed during the painting process. By recognizing and avoiding arbitrariness, you should find your own way to finding and creating an autonomous painting.
I would like to encourage and support the participants to develop a personal approach to this issue and their own forms of expression, using as wide a range of techniques and materials as possible, from classic drawing techniques to more unconventional means.
Individual and group discussions about the experiences gained in drawing experiments should also be accompanied by occasional excursions into art history and visits to exhibitions on the subject.
Motifs in nature and/or in an urban context (urban sketching) are our starting point: we put our impressions on site on paper or on canvas. Each participant finds a personal approach to artistically dealing with the place and the time spent there. The focus should be on the process, the experiment and the experience, not the result.
Topics such as horizon, perspective, plot, composition, structures, light and shadow, Lo sfumato, La sprezzatura etc. are discussed and, if necessary, expanded upon.
Depending on the weather and location, different materials can be used and combined in unusual ways.